(1781 - January 14, 1839), American painter, nephew of Methodist leader John Wesley, was born at South Shields, England, and was taken to the United States at the age of five. He was one of the earliest American painters to give serious attention to the study of anatomy. He lived at first in Philadelphia, afterwards establishing himself in New York City, where he enjoyed great popularity, though his conviviality and eccentric mode of life affected his work. He visited Baltimore, Charleston, and New Orleans, entertaining much and painting portraits of prominent people, particularly in New Orleans, where General Andrew Jackson was one of his sitters. He had for assistants at different times both Thomas Sully and Henry Inman. He affected singularity in dress and manners, and his mots were the talk of the day. But his work deteriorated, and he died in great poverty in New York City.   Related Paintings of John Wesley Jarvis :. | Millet s Garden | Graystack | Caracalla Sir Lawrence Alma-Tadema | The Virgin and Child between Saint Helena and Saint Francis | Nobilo St. Maas three miracles |
Related Artists:
Barry, James
Dutch Baroque Era Painter, 1627-ca.1683 Studied under Otto Marseus van Schrieck. Students included Rachel Ruysch.
Antonio Maria Fabres y Costa
Spanish, 1854 - 1936 Antonio Fabres was a famous Spanish artist during the turn of the century. He was born in Barcelona Spain in 1854. It is said that he was the artist gene since his father was a draughtsman and his uncle a silversmith. He started studying at the Escuela de Bellas Artes in his native city at the age of 13. When he turned 21, he received a grant to study in Rome. There are records of his sculptures from early in his career but later on he became a painter almost exclusively. He joined Mariano Fortuny with a group that became known for their intense realism. Their popularity grew with the taste of the bourgeoisie seeking exotic images with oriental of medieval themes. He went back to Barcelona in 1886 and in 1894 he moved to Paris. The popularity he had earned during his decade in Italy helped him open a large studio where he could create complex scenes for the upper classes. In 1902 the Academia de San Carlos decided to renovate their classical techniques with the ones of realism that were so popular in Europe at the time. Antonio Fabres was called to take the place of Santiago Rebull as head of this important institution. Although some of his students went on to become what was later known as the Post-Revolutionary Movement in Mexican art, the faculty had a hard time adapting to his distinct style and personality. In 1907, he returned to Rome. One of his last commissions in Mexico was the decorations of a hall at the Porfirio Diaz mansion where he mainly focused on art nouveau style . Fabres was recognized most everywhere he traveled. He was acclaimed in Barcelona, London, Paris, Vienna and Lyon. At the end of his life he was dealt a very unfortunate blow when in 1926 he decided to donate a large amount of works to the Museo de Bellas Artes de Barcelona. In exchange for this generous donation he asked the Museum that a hall be built with his name, but the museum never built that hall and although he protested several times, they could never settle the argument. Antonio Fabres died in Rome in 1938.
Pollard, James
English, 1792-1867 Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.